First, you’ve got to clear your head. Because your head just keeps saying things that aren’t true. Well they are true most of the times you’re saying them. But sometimes like last Wednesday, they aren’t true. That was the day I saw the biggest, most beautiful butterfly I’d ever seen….
Here’s how Five 2 One announced the inclusion of my poem The Road to Nirvanah (a Drama Review) on its blog.
Check it out! Another celebration! Road to Nirvanah by Joseph Saling
#thesideshow is a National Poetry Month project in which the journal is posting on its blog a daily “freaky midget poem or fiction piece.” My favorite so far is The Cow’s Fault by Monica Lee about the ideas that get into cows’ heads and their consequences. When you go to see The Road to Nirvanah, the subject of which is a Harvard Square production of Road to Nirvana, a play by Arthur Kopit, stay around awhile and read the other works in the #Sideshow. They’re short and they’re freaky. Who needs more reason to celebrate?
That just makes me feel good.
“The words and phrases that describe the erotic happen to be the same that apply to poetic inspiration: pleasure, a deep satisfaction, mystery, unknowing, a chance encounter, the unpredictable, a letting go, a giving over, a giving into, a forgetting of the self, and the getting of a gift.” (John Foy, writing in The Raintown Review Volume 12 Issue 1, March 2014.)
The following poem originally appeared in Poet Lore (1985) and was later included in A Matter of Mind (Foothills Publishing, 2004)
Her child-combed hair that smells of hay,
Thighs dusted with plowed earth,
She sheds her patterned dress and climbs
The attic stairs to me,
Where we collide among the cries
Of angry springs, sterile
Thrusts, and pain of ruined farmers’
Sons. A shotgun across
His chest, her father sleeps. Look. Smell
The sweat of honest work.
This girl works as hard as any
Man. Now she’s mine, until
Dawn, when he and I see her work
The fields, saddle shoes filled
With air next to school books along
The road that melts in light.
© Joseph Saling and The New Word Mechanic, 1985, 2004, 2014.
And while we’re on the subject of the farmer’s daughter, let’s listen to Crystal Bowersox. Her work is pure inspiration. Her words pure poetry.
The reading is new for this post. Click to listen.
Jason at Sunrise Service
It’s cold, and the wind blowing across this hill
Makes it colder. I’m not used to wearing
Winter coats at Easter, nor to sharing
Sunrise hymns with strangers. But kids will
Pull you out of bed at awful hours and fill
Your life with endless nights. They don’t care
That their lives intrude on yours with that glaring
Arrogance of youth that can’t stay still.
At eleven PM Jason cut his hand.
At midnight, in a dim and sterile room,
A young intern sewed it shut. He stands
Here now to celebrate an empty tomb.
The spreading rose of day dissolves the night.
I watch him join hands with others to sing
Hallelujah toward the rising sun.
And as I walk a little further from
Their voices rising in the morning wind,
I feel the cold rise up around my heart.
His world’s a morning filling up with light
And sun-glazed faces like a ring
Of sacrificial fire. Their antiphon
Goes with me down the hill. He’s just begun.
The road is like a ribbon with no end,
And I’m too old to remember where it starts.
They’ll sing and share the bread. I’ll set the fan
Inside the car on high. I’ll sleep at noon.
© Joseph Saling and The New Word Mechanic, 2004, 2014.
Look for my latest poem “Painting Miss Annie: The First Meeting” in the current print issue of The Raintown Review (Vol 11 Issue 2, March 2014.)
Check out this latest post at Roxi St. Clair. (And then spend some time roaming the site. You’ll be glad you did.)
It demonstrates an excellent understanding of the Haiku Sensibility and how to apply it in English poetry. The only suggestion I would make if I were editing the poem would be to consider the word “at” rather than “to” in the fifth line.
Check out the latest issue of Aberration Labyrinth for my poem “The Telling.” Then take a look at another new online journal from Canada called Caesura. I like them both, as well as like a lot of other online journals such as Carcinogenic Poetry and The Bacon Review. But not everyone’s so sure online journals are a good thing. What say you?
On the Poetry Editors and Poets list on LinkedIn, there is an ongoing discussion on what exactly is stream of consciousness and how is it used in poetry. One poster has called for members to post examples of stream of consciousness poetry. Here is my contribution. It is a poem I wrote when I was in graduate school and entered in a competition for graduate student poetry. It won honorable mention.
The Partridge, Parts I & II
A Riddle and Proposed Solution
Poetry has become incestuous.
Conversation with a friend, May 18, 1981
Donald E. Carr points out that the sense impressions of one-celled animals are not edited for the brain. “This is philosophically interesting in a rather mournful way, since it means that only the simplest animals perceive the universe as it is”.
Annie Dillard, Pilgrim at Tinker Creek
Icarus fell because he believed
one could soar too high.
In my yard, flowers
restore a sense of order to chaotic days.
In my house, the books scream at me
from many rooms. I’ve lost all power
to see or know or dream
of Michelangelo, of works that aren’t
and never could be. In my yard
foremost resides a sense of order.
You know who I am. Look down.
You’ll find me trampled under foot.
The quail exploded
from the weeds and pheasants stretched
their necks and lifted
their bodies in flight.
We made fires in the cleared fields.
Mowers cut the air
with noise. In the yard
I come and go, dreaming of
My hand smells of gas,
sweats on the vibrating chrome,
lifts to take a beer.
There’s never silence,
even when the work is done;
freeways never cease.
They grumble like gods’ stomachs
taking Modern Communion.
In a theater, as in Plato’s cave,
shadows flicker on the wall. Here there are
no truck sounds, no incessant pounding, no
backing machines with warning whistles;
only frozen iotas from the past
that pass into our future. Celluloid sound
walls that block the roar from Boeings crying
as the sky, molecule by molecule,
is swiftly subdued. That was 43,
and none of us was eager to go.
One crazy one night
shot off his own toe while we
waited for the boats.
We all envied him
being the only sane one.
pulsating energy, strokes
the blades of a fan,
causes it to slow,
even reverse direction.
Now there is no noise;
the sound’s erased them
all, even the memory
of crickets, only
an electric whine
and voices almost human
on mid summer nights.
You weren’t there to see.
My Lai’s only a match flame.
We built other fires.
You could pass your fingers through
the fan, it moves so slowly.
You know who I am. The one on the bus
with the misshapen head. The one who
embarrassed you with too loud talk.
It’s my eyes that you refuse
to look into, so mine teach you nothing.
You see me talk to myself, and sigh
to get off. In all this world
there’s only idiots who see what is.
Visions are easy.
I saw the lighted tree once
in October blaze.
I saw a boy fall
reaching to pick an apple.
No one buried him.
He fell and was drowned.
I heard his parent warn him
that that would happen,
and he believed it.
No quail were left in the field.
We’d created yard.
Mowers cut the air.
In my yard I come and go.
I trample flowers,
and in them find a dead bird
my cat has brought home to share.
© Joseph Saling and The New Word Mechanic, 1981, 2014
Here’s something from A Matter of Mind to remember the holidays by.
The Advent Dance
Yesterday with the tree planted in its stand,
the tinsel being all that was left to do,
and the Celtic music filling the room
with the richness of its Irish brogue,
we danced, father and daughter, a jig.
And as I reached up to drape the branches
in their silver shimmer and felt the pain
make its way across my arm and chest,
I knew the last thing I would say would be
I’m glad we danced.
© Joseph Saling and The New Word Mechanic, 2004, 2014
On your way out? Here’s a poet worth taking note of. Her name’s Colleen Abel. You really should check out her two poems in the Wintere 2014 issue of The Cincinnati Review.
As a writer, what type of relationship do you have with your creations?
Brian’s sense of humor isn’t right…
© Joseph Saling and The New Word Mechanic 2013.
For another take — a magnificent take — on a writer and her character, you must see this video of a poem by by Astrid ‘Artistikem’ Cruz. Then visit the project website at the link below.
Here is the site: A Study on Character Development.